Conversely, if you want a track front and center, apply less reverb to it. If you want a track to sit in the background, apply more reverb to it. If you drown every track in reverb, your entire mix will sound weak and distant - subtlety is where it's at. If you only glean one nugget of information from this article, this is the bit you'll want to remember: the more reverb you add to a track, the further away it sounds. Want to have some fun? Slap the side of a guitar amp or spring reverb unit, and it will produce a dramatic thunderclap-like sound.ДЄpplying the correct type of reverb to your tracks will go a long way into making them sound right. If you're aiming for vintage-inflected guitar tracks, these are the right effects for the job. Spring reverbs, which are standard issue for guitar amplifiers, produce a clean, bright, occasionally trashy sound. If you want to replicate the vibe of classic Beatles and Pink Floyd albums, you'll love what plates add to your mix - but use them sparingly! This type of reverb produces a very conspicuous effect, and it can sound magical on vocals and snare drums if applied correctly. Plate reverbs replicate the sound of a vintage mechanical studio device - think classic Abbey Road recordings. If you want to add dimension to a track while maintaining its intimacy, room reverbs are the way to go. Room reverbs sound excellent on vocals, guitars, pianos, drums, and pretty much everything else you run through them. Room reverbs are almost always a safe choice - they fit seamlessly into just about every mix. If you dig the vibe of classic R&B and rock, fire up a chamber reverb. Chambers are great for vocals, strings, acoustic guitar, and cavernous-sounding drums.Д«ased on the sound of an old-school echo chamber, these reverbs deliver a vintage-tinged sound you can't get any other way. Slathering too much of this effect on a track will wash it out and effectively bury it.Д¬hamber reverbs deliver a lush, hall-like sound, but with more clarity. You definitely don't want to overuse hall reverb.

Because of their huge size and long decays, halls are ideal for thickening and adding space to strings and pads. Hall reverbs mimic the sound of a concert hall.

After all, you don't want every track in your mix swimming in Гјber-thick ambience! Different kinds of reverb When you have a near-unlimited arsenal of reverbs at your fingertips, it's important to understand which tool is right for your application.

While these in-your-face reverbs can sound amazing in isolation, you can't apply such a pronounced effect to all your tracks without cluttering up your mix. This is not an advisable practice (unless you're producing avant-garde ambient soundscapes or '90s-era shoegaze if that's the case, have at it). Newbie engineers often dial up the densest, lushest reverb in their toolkit and apply it - liberally - to every individual track in their mix. Indeed, most modern DAWs come equipped with a sizeableВ cache of reverbs right out of the box. So, how do you keep reverb from overwhelming your mix? In this blog, we'll explore different methods for making ambient effects fit unobtrusively into your mix.Д®ven if you only have a bare-bones plug-in collection, you probably have hall, chamber, room, plate, and spring reverbs at your disposal. Used incorrectly, reverb will submerge your mix under an avalanche of disorganized sonic reflections.ДЇew things scream 'amateur mix' more than poorly applied reverb. Used properly, reverb will create a spacious soundstage for your mix, imbuing it with a realistic, three-dimensional quality. It's what we use to give depth and dimensionality to our mixes. Reverb, whether it be from a plug-in, digital rackmount unit, or tailor-made physical space, is an essential studio tool. It's what gives massive cathedrals their characteristic, echo-laden sound. Reverb - an abbreviation for 'reverberation' - is the reflected sound that bounces back to your ears from surfaces in your environment.

How to use reverb on vocals